|
Samuel Indratma (born December 2, 1970〔http://www.flickr.com/people/paksamuel/〕) in Central Java, Indonesia, is a community visual artist〔Dovey, K. (2010) ''Becoming places: urbanism/architecture/identity/power'', (p.186 ), Taylor & Francis, ISBN 0-415-41636-1. Retrieved July 2011〕 and muralist, who studied graphic art between 1990 and 1996 at the faculty of Fine Art, Indonesian Institute of the Arts, Yogyakarta, Indonesia. He was a prominent member of the left wing,〔Lloyd, G. & Smith, S.L. (2001) ''Indonesia today: challenges of history'', (p.128 ), Rowman & Littlefield, ISBN 0-7425-1762-4. Retrieved July 2011〕 activist group of artists, Apotik Komik, operating between 1997 and 2005, creating public art in Yogyakarta, Indonesia. The group considered their public art as ''a tool of social communication''.〔(Jakarta Post ) October 1999. Retrieved July 2011〕 Indratma also co-founded the ''Jogjakarta Mural Forum'', which formed in 2005. == Solo Exhibitions == * Mural Blues (Yogyakarta, 1997) * From Horror to Hope (Yogyakarta, 1998) * Begadang III (Yogyakarta, 2001) * The Interpretation of Sureq La Galigo (Singapore, 2004) * Urban Apartment (Melbourne, 2007-2008) * Agro Metal (Jogjakarta, 2009) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Samuel Indratma」の詳細全文を読む スポンサード リンク
|